18th-Century Musicians Saw Themselves as Craftworkers

18th-century metalworkers

The past is a foreign country, they do things differently there.

— L.P. Hartley: The Go-Between (1953)

In the 18th-century people thought differently about music (and the arts) compared to the 19th and later centuries. Neither way is better or more correct than the other, but a deeper appreciation of 18th-century music can come with an understanding of the motivations and ideals of 18th-century musicians.

Musicians (and other artists) saw themselves as craftworkers. Even Bach.


Telemann’s Flute Fantasias

Georg Philipp Telemann portrait

Georg Philipp Telemann (1681–1676) played the flute (among several other instruments), which explains his understanding of the capabilities of the instrument and his ability to write so idiomatically for it.

Flute players regard the Fantasias as some of the best music ever written for solo flute.


What is Historically Enlightened Performance?

Flötenkonzert Friedrichs des Großen in Sanssouci

Adolph von Menzel: Flötenkonzert Friedrichs des Großen in Sanssouci (c.1850)


Historically Enlightened Performance (HEP) is a term I recently coined to describe what I’ve been working towards for the last 40 years or so. The lockdowns have given me a lot of time for reflection. 😀